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However, if you just want to render a quick demo or a rough mix Ableton’s Limiter will probably be good enough. I’d highly recommend to pick another limiter like the one from Ozone 9 if you really want to achieve a professional master.

Release adjusts the release time of Ableton’s Limiter (0.01ms – 3s).

Gain increases the input gain of Ableton’s limiter (-24 – 24 dB).

Focus adjusts the exact frequency for “Clean Up” (200 – 500 Hz).

Clean Up reduces low midrange frequencies (0 – -5dB).

Freq controls the high-shelf filter’s frequency (4 – 22 kHz).

Shine is a high-shelf filter you can use to boost the side signal (0 – 6 dB).

Glue decreases the threshold of Ableton’s Glue Compressor (0 – -30 dB).

Everything below will be mono (50 – 200 Hz). This is what the macros from my Ableton mastering rack do: My general recommendation: less is more! If you’re making big changes on your master channel you should probably go back to the mixing stage! However, there are some effects that can help to “glue” all individual tracks together and give you track that final touch. When your mixdown is perfect you usually don’t need much processing on the master. You may also like this list of free Ableton templates. I’m using these features to “pimp” Ableton’s stock effects every day so if you’re looking for some free Ableton racks you definitely came to the right place!Ĭlick on the button below to start your free download and make sure to read the entire post for further details. Ableton Racks are awesome! They allow you to group effects or instruments, map multiple parameters to a single macro and create parallel chains.